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iRubric: Evaluation of Children's Literature rubric

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Evaluation of Children's Literature 
This rubric was created to assess literature based on the level of cultural sensitivity and gender sensitivity.
Rubric Code: U22B677
Draft
Public Rubric
Subject: Education  
Type: Reading  
Grade Levels: K-5

Powered by iRubric Evaluation of Childrens Literature
Bias, Cultural Diversity and Gender Sensitivity.
 

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COMMENTS

Record Observations and Analysis of text using Rubric Descriptors

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Text Quality

The story/ text is well written.

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The story itself is interesting and engaging.
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Syntax, grammar, word usage, etc. makes the story easy to read for children of the age for which it is written
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There are no distortions or omissions of history.
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Various perspectives are represented
COMMENTS
Illustrations:

The illustrations are authentic and non-stereotyped

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Stereotypes. A stereotype is an over-simplified generalization about a particular group which usually carries derogatory implications. Stereotypes may be blatant or subtle. Check for depictions that demean or ridicule characters because of their race, gender, age, ability, appearance, size, religion, sexual orientation, socioeconomic class, or native language.
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Tokenism. Is one person from the group presented as having admirable qualities while all the others of the group are stereotyped? In illustrations, do people of color look just like whites except for being tinted or colored in? Do all people from parallel cultures look stereotypically alike or are they depicted as genuine individuals with distinctive features?
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Who is doing what? Do the illustrations depict people of color in subservient and passive roles or in leadership and action roles?
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Are males the active doers and females the inactive observers?
COMMENTS
Check the Story Line:

Bias may be expressed in blatant or subtle ways. Check for the forms of subtle, implicit bias:

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Standards for Success. Does it take the white male behavior standards for a person of color or a female to "get ahead"? Is "making it" in the dominant white society projected as the only ideal? To gain acceptance and approval, do people of color and females have to exhibit extraordinary qualities?
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Resolution of Problems. How are problems conceived, presented, and resolved in the story? Are people of color considered to be "the problem"? Are the conditions facing oppressed groups represented as related to an unjust society? does the story line encourage passive acceptance or active resistance? Are problems faced by people from parallel cultures resolved through the benevolent intervention of a white, able-bodied, middle-class male?
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Role of Females. Are the achievements of girls and women based on their own initiative and work, or are achievements due to their appearance or to their relationships with males? Do they have to be rescued by a male character? Are females of all ages presented as problem solvers with a life of their own, or is their role in the story only as a support of male characters?
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Is it assumed that female characters will marry and that this is their major interest in life? Is there an emphasis on describing the physical appearance of female characters? Are positive female characters portrayed as "beautiful" and negative female characters portrayed as "unattractive"? Are older females portrayed in a negative manner? Are older unmarried females ridiculed and assumed to be bitter, unfulfilled, or boring? Are they afraid of mice, spiders, or snakes?
COMMENTS
Authenticity:

Check for inaccuracy and inappropriateness in the depiction of cultures and lifestyles.

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Are they oversimplified or do they offer genuine insight into the character? Check for quaint, cutesy, or exotic depictions. Is the portrayal of each group authentic? For example, are Native people from one group shown wearing the hair styles, clothing, or jewelry of another tribe?
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Does the book portray diversity among cultural group portrayed or are they all lumped together, ignoring differences in ethnicity, time of immigration, generations of life in the United States, and location of origin as well as the fact that some groups have been in conflict with each other at various times over thousands of years?
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Are recent immigrants and people from the same ethnic group who were born in the United States portrayed in the same manner? Are the issues facing lesbians subsumed under those facing gay men resulting in distortion, erasure, and/or marginalization?
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The role of females, elders, and family are culturally accurate. Women and the elderly are portrayed accurately within their culture.
The significance of family is portrayed accurately for the culture.
COMMENTS
Self Image Effects

Consider the Effects on a Child's Self-Image:

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Are norms established that limit any child's aspirations and self-concept? For example, Asian Americans should not be portrayed as model minorities. Are fat people portrayed in negative ways?
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Every person from every culture should be portrayed as an individual with unique strengths, weaknesses, interests, lifestyles, and beliefs.
Lifestyles. The lifestyles of the characters are genuine and complex, not oversimplified or generalized.
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In the past, children's books were written by authors who were white, members of the middle class, heterosexual, able-bodied, and Christian, with one result being that a narrow Eurocentric perspective has dominated children's literature in the United States. Watch for books that present multiple perspectives. Does the total collection present many world views ? Are readers encouraged to consider a situation form several perspectives?
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Heroines/Heroes: Whose interest is the hero/heroine serving? Heroines and heroes should be defined according to the concepts of and struggles for justice appropriate to their group. When heroes/heroines from parallel cultures do appear, are they admired for the same qualities that have made establishment heroes famous or because what they have done has benefited the establishment?
COMMENTS
Author's or Illustrator's Backgroun

The author's and/or illustrator's background is relevant to the culture portrayed

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Analyze the biographical data available about the author and illustrator. What qualifies the author or illustrator to deal with the subject? If they are not a member of the group they are depicting, is there anything in their background that would specifically recommend them as creators of the book?
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There has been considerable debate recently regarding what has been termed cultural thievery. Is it ethical for mainstream writers to appropriate the literature of parallel cultures? Many people think it is impossible to write authentically from a perspective one has never experienced personally.
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The publishing industry is still a world filled with scarcity: if an established European American author submits a manuscript for a story representing another culture, will there be room for emerging writers from that culture to compete?
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Male or Female Author
COMMENTS
Language

The dialogue used is culturally authentic.

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Examples of offensive terms include: "savage," "primitive," "conniving," "lazy," "superstitious," "treacherous," "wily," "crafty," "inscrutable," "docile," "backward," "bitter," "barren," "squaw," "papoose," and "Indian givers."
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Watch for sexist language that excludes or in any way demeans females. The generic use of the words man and he were accepted in the past but their use today is outmoded. The following examples show how sexist language can be avoided: ancestors instead of forefathers; humankind instead of mankind; firefighters instead of firemen; synthetic instead of manmade; chair or chairperson instead of chairman; and she/he instead of he.
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Consider the effect of the use of the color white as the ultimate in beauty, cleanliness, or virtue (angel food); and the color black or use of "dark" as evil, dirty, or menacing (devil's food).
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Dialogue. The characters use speech that accurately represents their oral tradition.
COMMENTS
Copyright Date

the copyright date may be one clue as to how likely the book is to be overtly biased, although a recent copyright date is not guarantee of the book's authenticity.

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The copyright date reflects the current understanding of the dynamics of the culture being written about.
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Books on minority themes-often hastily conceived-suddenly began appearing in the mid-and late 1960s. Most of these books were written by white authors, edited by white editors, and and published by white publishers. They often reflected a white, middle-class, mainstream point of view.
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In the early 1970s the children's book world begin to remotely reflect the realities of a pluralistic society. the copyright date may be one clue as to how likely the book is to be overtly biased, although a recent copyright date is not guarantee of the book's authenticity.
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Use these guidelines to examine each one. Use the biased books as teaching tools with your students and colleagues.
COMMENTS
Audience

Consider the students and other community stake holders.

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There is nothing in the story that would embarrass a child in your classroom.
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You would be willing to share the book with a mixed-race group of children.
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The parents of the students would not object to the text.
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Administration of school would not object to text.
COMMENTS
References
Banks, J.A. & Banks, C.A.M. (2001). Multicultural Education: Issues and Perspectives (4th ed.). New York: John Wiley & Sons, Inc.
Day, F.A. (1999). Multicultural voices in contemporary literature: A resource for teachers (1st ed.). New Hampshire: Heinemann.
Valdez, A. (1999). Learning in Living Color: Using Literature to Incorporate Multicultural Education into the Primary Curriculum. Boston: Allyn and Bacon.



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  • Children Literature Evaluation

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