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iRubric: Emotional Connection rubric

iRubric: Emotional Connection rubric

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Emotional Connection Poetic presentation Rubric Code: S37564 By sdahlke Ready to use Public Rubric Subject: Music Type: Presentation Grade Levels: 9-12

poetic presentation
	Poor 1 pts	Fair 2 pts	Good 3 pts	very good 4 pts	Excellent 5 pts
memory	Poor Doesn't know song at all	Fair Gets lost a lot doesn't recover without help. Many musical mistakes	Good Has occasional memory lapses and some musical errors but can recover.	very good Very few if any memory lapses. Lapses are not noticeable; few if any musical mistakes	Excellent Flawless performance musically and from memorization standpoint
Assertive action	Poor Singer never uses body, vocal, or facial language to show confidence.	Fair Singer only occasionally uses body, vocal, or facial language to show confidence.	Good Singer sometimes uses body, vocal, or facial language to show confidence.	very good Singer often uses body, vocal, or facial language to show confidence.	Excellent Singer always uses body, vocal, or facial language to show confidence.
Eye contact	Poor Singer never uses eye contact or visual focus to demonstrate assertiveness and emotional connection.	Fair Singer rarely uses eye contact or visual focus to demonstrate assertiveness and emotional connection.	Good Singer sometimes uses eye contact or visual focus to demonstrate assertiveness and emotional connection.	very good Singer often uses eye contact or visual focus to demonstrate assertiveness and emotional connection.	Excellent Singer always uses eye contact or visual focus to demonstrate assertiveness and emotional connection.
Muscle action potential	Poor Singer's muscles never seem capable of expressive flexibility and movement, in reaction to emotional stimulus.	Fair Singer's muscles rarely seem capable of expressive flexibility and movement, in reaction to emotional stimulus	Good Singer's muscles sometimes seem capable of expressive flexibility and movement, in reaction to emotional stimulus	very good Singer's muscles often seem capable of expressive flexibility and movement, in reaction to emotional stimulus	Excellent Singer's muscles always seem capable of expressive flexibility and movement, in reaction to emotional stimulus
Sincerity	Poor Singer never appears sincere in facial, vocal, or body actions.	Fair Singer rarely appears sincere in facial, vocal, or body actions	Good Singer sometimes appears sincere in facial, vocal, or body actions	very good Singer often appears sincere in facial, vocal, or body actions	Excellent Singer always appears sincere in facial, vocal, or body actions
Emotional flow	Poor Singer never seems emotionally connected to what he or she is saying.	Fair Singer rarely seems emotionally connected to what he or she is saying.	Good Singer sometimes seems emotionally connected to what he or she is saying.	very good Singer often seems emotionally connected to what he or she is saying.	Excellent Singer always seems emotionally connected to what he or she is saying.
Emotional awareness	Poor Singer never seems aware of emotional or physical state of self or partner.	Fair Singer rarely seems aware of emotional or physical state of self or partner.	Good Singer sometimes seems aware of emotional or physical state of self or partner.	very good Singer often seems aware of emotional or physical state of self or partner.	Excellent Singer always seems aware of emotional or physical state of self or partner.

Subjects:

Music

Types:

Presentation

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