iRubric: Anasazi mm 11-18 rubric

There was no phrasing

The whole section was played as a continuous phrase with some build and decline of volume

There were two distinct phrases with a sufficiently musical contour

there were two distinct phrases played musically with a distinct high point and a smooth crescendo and decrescendo in each

No difference in volume throughout section

some difference in volume throughout section, often at the appropriate time. Measures 11 and 15 are slightly quieter than measures 13 and 17

Measures 11 and 15 are almost piano and they crescendo almost all the way to mf, or go a bit too loud.

Dynamics are perfect, with a distinct piano compared to the mezzo forte with an even crescendo and decrescendo leading in and out of the mf measures. Measure 18 ends at about mp