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iRubric: Acting: Monologue/Scene Acting rubric

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Acting: Monologue/Scene Acting 
Acting mastery project using Stanislavsky techniques
Rubric Code: PXB53WC
Ready to use
Public Rubric
Subject: Arts and Design  
Type: Presentation  
Grade Levels: 6-8, 9-12

Powered by iRubric Stanislavsky Monologue
  Needs work

1 pts

Fair

2 pts

Good

3 pts

Very Strong

4 pts

Excellent

5 pts

Memorization

Needs work

Scene/monologue is not memorized. Frequent ad-libs. Using script or needs Needs excessive prompting.
Fair

Needs a fair amount of prompting, stops frequently
Good

Scene is moderately memorized. Occasional adlibs. Only needs occasional prompting.
Very Strong

Scene is memorized, but not word for word. Some paraphrasing
Excellent

Scene is memorized. Text holds to what is written. No prompting
Physical Action

Needs work

Little to no thought is given to the design of the physical action as it relates to character's intention/objective. Movement appeared unrehearsed and arbitrary.
Fair

Physical action is very broad and nonspecific. Action doesn't always support intention of the character.
Good

Attempt to execute action in a broad sense, but lacks moment to moment work between the characters in the situation.
Very Strong

The action is well-thought out, fulfills the intention, demonstrates work on units and beats.
Excellent

The physical action is logical and meaningful, as well as creative, fulfilling the intention of the character.
Stanislavsky techniques

Needs work

Techniques are non-existent or random.No sense that a theory has been used and is being put into practice.
Fair

Only a general idea of techniques. A vague sense that a theory has been used and is being put into practice.
Good

Technique recognition but does not convey them to the audience clearly. Some sense that that a theory has been used and is being put into practice.
Very Strong

Conveys most techniques to the audience, but may not do so clearly all the time. A strong sense that a theory has been used and is being put into practice.
Excellent

Successfully identified techniques and portrays them clearly to the audience. A overwhelming sense that a theory has been used and is being put into practice.
Believability

Needs work

Unable to bring a level of honesty and truthfulness to characterization. Lacked authentic interaction with partner.
Fair

Deep investment in character and situation is inconsistent.
Good

Demonstrates the character in this situation fairly consistently. Lacks deep connection to character and situation.
Very Strong

Clearly demonstrated this character and motivation in this situation throughout the scene.
Excellent

Expertly demonstrates this unique character in this situation. Level of investment in character conveys honest and truthful.
Voice Production

Needs work

-No evidence is present in actors use of vocal traits.
-Actors do not display variety in pitch, rate and quality
-Actors never use projection, enunciation, correct pronunciation and articulation
-Actors never use vocal intensity and flexibility
-Actors never heard and understood
Fair

-Actors seldom use vocal traits
- Actors seldom
display variety in pitch, rate and quality
- Actors seldom use projection, enunciation,
correct pronunciation and articulation
- Actors seldom use vocal intensity and flexibility
- Actors seldom
heard and understood
Good

-Actors sometimes use vocal traits
- Actors sometimes
display variety in pitch,
rate and quality
- Actors sometimes use
projection, enunciation, correct pronunciation and
articulation
- Actors sometimes
use vocal intensity and
flexibility
- Actors sometimes
heard and understood
Very Strong

Actors almost always
use vocal traits
- Actors almost always display variety in pitch, rate and quality
- Actors almost always
use projection, enunciation, correct pronunciation and
articulation
- Actors almost always
use vocal intensity and
flexibility
- Actors almost always
heard and understood
Excellent

The actors use vocal traits to create the characters
and mood of the performance. Actors display variety in pitch, rate, and quality. Projection, enunciation, pronunciation and articulation are all of
superior quality. Vocal in
tensity and flexibility are
used to highlight the
dramatic/comic element of the performance. All actors can be heard and
understood.



Keywords:
  • Scene, acting, mastery, Stanislavsky







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