To what extent does the director achieve directorial point and express a unique 'way of seeing' in the selected corner of reality?
How close does the director get to the subject in the film and the inner and concrete world of the character?
To what extent does the director arrange and integrate frames of reality to create an intentional narrative and a general state of wholeness in the film's dramaturgical structure?
To what extent does the director use the cinematic language and technical ability to sculpt with time, form and space to create the feeling of "being there"?
To what extent does the director care for sound in production and post-production in a way that contributes to atmosphere and meaning in the film?
To what extent does the piece achieve artistic relevance by incorporating the specific, the general and the universal?